#TBT South LA: Church mothers, circa 1960



"Church Mothers" stand outside the First AME Church in South LA, circa 1960. | USC Digital Library

“Church Mothers” stand outside the First AME Church in South LA, circa 1960. | USC Digital Library

For many generations, churches have been integral to the character of South Los Angeles. The First African Methodist Episcopal stands as an example.

Dressed in “Sunday best” attire, the 16 women are pictured standing in front of the First AME, or simply “FAME.” The photograph is from the 1960s.

Founded in 1872, FAME is the city’s oldest African-American church. Before the 1970s, the church had a population of 250 congregants. It now boasts a congregation of about 19,000 members and is considered a mega-church with task forces for health, substance abuse and homelessness issues. [Read more…]

South LA voices with South LA views, Thursday at USC



visions of south la pic

To some students, the University of Southern California may seem like a world unto itself. Yet the school is also just one piece of the South Los Angeles community, a role worth examining as USC launches development projects like the new University Village.

The panel discussion “Voices of South L.A: Civic Action and Community Voice” happening Thursday Oct. 9 at 6 p.m. in the Annenberg Auditorium (ASC room G26) aims to delve into conversation on various efforts by the university and other groups to address disparities and injustices in South L.A. (Tickets are sold out, but you can get on the waitlist.) The event, hosted by the Visions and Voices program, will bring together community organizers, residents, journalists and scholars to discuss views on South L.A.  Intersections spoke with event organizer Alison Trope, a professor in USC’s Annenberg School for Communication and Journalism, about what attendees can expect from the event.

[Read more…]

The Father of Leimert Park, or the Octopus



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Caldwell at a community meeting at Leimert Park | Sinduja Rangarajan

Ben Caldwell stopped in the middle of 43rd Street in Leimert Park, bent down, lunged forward, clicked a photograph and disappeared into the crowded street within seconds.

Something on the other side of the road had caught his attention.

This article was also published on KCET Departuresan online documentary series mapping LA neighborhoods through interactive portraits.

Perhaps it was the colorful quilted skirts swaying in the breeze in a makeshift clothing store, one of the many stands set up during Leimert Park’s monthly art walk. Perhaps it was the kids playing jump rope across the street. Or maybe it was one of the drummers tapping furiously in the drum circle by the fountain.

Caldwell never leaves home without his Canon DSLR camera, whether he’s going to a community meeting, a high-end innovation event at a private school or simply strolling across the familiar Leimert Park streets.

 “He documents everything, knowing things will have more value in the future,” said his daughter, Dara Marama Caldwell-Ross. “The value is not just monetary, it’s symbolic.”

Caldwell captures the world around him from behind the camera, but moves so quickly and quietly that he’s almost invisible. His customary faded black t-shirt and loose jeans don’t help him stand out either. But this low-profile artist is the tour de force of Leimert Park, a constant in this ever-changing community.

“He won’t like it if I say this, but he is like the father of Leimert Park,” said Maria Elena Cruz, an artist and teacher.

He calls himself an “octopus” with every tentacle working on a different assignment. In the last 33 years, he’s been a filmmaker, entrepreneur, ethnographer, documentarian, educator and community activist.  [Read more…]

Encore for South LA’s Dunbar Hotel



Heidi Duckler Dance Theatre helps revive a historic jazz landmark on Central Avenue.

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Marisa Labog and Joe Schenck rehearse on the balcony in the lobby of Dunbar Village. | Christina Campodonico

 

By day, a “For Lease” sign hangs in the window of the Dunbar Hotel’s empty storefront on Central Avenue, but on Saturday night this barren room came to life as dancers from the Heidi Duckler Dance Theatre kicked up dust from the concrete floor, grabbed onto the room’s barred windows and clung to its steel columns, captivating a crowd of dance-lovers and community leaders who descended upon the historic South Los Angeles landmark to see “Dancing at Dunbar.”

Hours earlier, at 5 p.m., the troupe previewed its choreography for a handful of residents living at Dunbar Village, the affordable housing development on site with the Dunbar Hotel.

An air of easy comfort pervaded the lobby. Some audience members relaxed in large leather armchairs, nibbling on fruit and cookies. Others milled in and out of the lobby with their bikes and grocery bags, pausing briefly to look up at dancers Marisa Labor and Joe Schenck as they wrapped themselves around columns and bannisters on the second-level balcony overhead. [Read more…]

Sights and sounds from the Central Avenue Jazz Festival



The 19th annual Central Avenue Jazz Festival last weekend brought out crowds of L.A. residents to enjoy authentic Mexican and soul food, local crafts, and, of course, the sweet sounds of jazz. This year, the Jazz Festival was bigger than ever, with two music stages, kids activities and a plaza offering health screenings, stands representing local organizations and businesses, and artists making and selling a variety of crafts.

Watch the audio slideshow below for the sights and sounds of the festival. 

Visit our Flickr for photos from the event.

Belizean conch fritters at South LA’s Joan and Sisters Restaurant



Samuel Bevans, owner of Joan and Sisters | Logan Heley

Samuel Bevans, owner of Joan and Sisters | Logan Heley

At Joan and Sisters Restaurant in South L.A.’s unofficial “Little Belize” neighborhood, cooks serve up conch fritters, rice and beans — all typical foods of Belize that represent the Central American country’s wide-ranging ethnic influences.

Belizeans can be Black Creoles of slave descent, Hispanic Mestizos of Mayan and native descent, or Garifuna, a group whose ancestors are a mix of Carib Indians and West Africans arrived from wrecked Spanish slave ships in 1635. East Indians, Middle Easterners and East Asians have also made their way to country on the coast of the Caribbean.

Jerome Straughan, a Black Creole from Belize, moved to the U.S. in 1980. In his Ph.D. dissertation about Belizeans in Los Angeles, he wrote that Belizeans can more easily interact with other ethnic groups in L.A. than in other places, because the city is so diverse. [Read more…]

Generacion Suicida’s South LA punk roar



Generacion Suicida

Generacion Suicida. View more photos on Flickr | Generacion Suicida

The name “Genraction Suicida” – “suicide generation” – could be seen as a way for Kiwi Martinez and Tony Abarca to thumb their noses at the people who said they would never become successful. Martinez, the drummer, and Abarca, the guitarist and vocalist, both dealt with their share of struggles and discouragement growing up in South L.A.

Martinez came to the United States from Guatemala when she was 12 months old and ended up attending John C. Fremont High School in South L.A. There, she was failing classes and felt like teachers didn’t care about their students’ education or future.

See also on Intersections: Sergio Urida and Bombassmuzik, the last of the South LA record stores [Read more…]

Sergio Urida and Bombassmuzik, the last of the South LA record stores



Sergio Urida at his store, Bombassmuzik, in South LA | Andy Vasoyan

Sergio Urida at his store, Bombassmuzik, in South LA | Andy Vasoyan

At the corner of Vernon Avenue and Main Street less than a mile from the 110 freeway, the terrain is a mix of small housing and smaller shops, blending slowly from residential to commercial districts. On the very edge of that border, sandwiched between a now-defunct flooring store and a combination barbershop-taco stand, is Bombassmuzik, one of the last record stores in South Los Angeles.

Bombass is owned by Sergio Urida, a native of the Figueroa Corridor neighborhood who lives within biking distance of the shop that he’s kept alive for 16 years.

Urida works behind a counter on which he’s taped pictures of him posing with Ice Cube and other rap notables, as well as an anime-style drawing of himself that he says a customer gave him. [Read more…]

South LA tribute to Gabriel García Márquez



El coronel necesitó setenta y cinco años — los setenta y cinco años de su vida, minuto a minuto –para llegar a ese instante. Se sintió puro, explicito, invencible, en el momento de responder.

“Mierda.”

Gabriel Garcia Marquez at | Festival Internacional de Cine en Guadalajara

Gabriel Garcia Marquez in 2009 | Festival Internacional de Cine en Guadalajara

I laughed out loud to myself as I finished reading “El coronel no tiene quien le escriba.”

“Shit.”

This is the answer that took the colonel seventy-five years of his life to provide in response to his wife as she pestered him about what they were going to eat.

“No One Writes to the Colonel” is the second novel I read by Gabriel García Márquez. It is one of my favorite books written by him, with one of the best endings that I have ever read. It is sad that Latin America has lost one of its most prized writers. But to me, he lives on in his stories and in the love of people who want change.

I discovered Márquez — also called El Gabo, a diminutive of affection among his friends and fans — in my first English class in community college two years ago when I read the “The Handsomest Drowned Man in the World.” In this short story Márquez transforms the life of an isolated village when its residents become enamored of a dead man who washes up on their shore. Gabo gives life to a drowned man with his magical realism in stunning, straightforward prose. Instantly, I added him to my list of must-read authors, venturing to learn still more about El Gabo and his art. [Read more…]

Aun vive el Gabo: Tribute poem to Gabriel García Márquez



Editor’s Note: Gabriel García Márquez died April 17 leaving behind dozens of writings and a legacy that touches young writers around the world. Miguel Molina of Reporter Corps South L.A. is one of them. To pay homage to “El Gabo,” Molina penned the poem below (in Spanish and English) and a first-person piece titled, “He wrote for us all: A South LA tribute to Gabriel Garcia Marquez.”

One of Gabriel Garcia Marquez's famed novels, "Love in the Time of Cholera" | Ross Angus

One of Gabriel Garcia Marquez’s famed novels, “Love in the Time of Cholera” | Ross Angus

[Read more…]